Andrew Mittelman is an audio engineer with the rare combination of
talent and experience in music, technology, and performance. In 2005,
he launched Sound Generation, a world-class studio, to collaborate with
the leading producers in music, audio, and video.
Andrew began his musical career as a session guitarist playing funk,
reggae, and pop in the New York music and recording scene of the early
90’s. In the pursuit of musical excellence, Andrew attended Mannes
College The New School of Music where he received a conservatory
training, which included classical theory and composition, ear
training, and ensemble performance. From Reggie Workman, Peter
Bernstein and Rodney Jones, he learned jazz improvisation and
accompaniment.
After working at Westrax Recording Studios as an assistant engineer,
Andrew developed an innovative method of multi-track digital live
recording and mixing for cutting edge musicians like Shiner Massive,
William Parker, and Dave Sewelson. ASPECT: The Chronicle of New Media
Art commissioned him to compose and record the music of the DVD, and
engineer post-production for all the contributors’ work. Most recently,
Andrew recorded the cello, spoken word and programmed effects for
international classical music star Maya Beiser’s latest album, Almost
Human, as well as her Almost Human world tour that opened at Carnegie
Hall. Andrew’s main commercial client is a preeminent, global media
company for which he is engineering music tracks for their production
library.
Musical sensibility, technological savvy, and attention to detail make Andrew one of the best audio engineers in New York City.